“I’d say this: your voice is valid even if it shakes… Start before you’re ready. Speak before you feel confident. Share even when you’re scared. Do it afraid. The world doesn’t need perfect voices — it needs authentic ones.”
I had the pleasure of talking with Seun Adegoke. Seun is a Nigerian-born, Atlanta-based master of ceremonies, writer, and performer whose work bridges cultures, genres, and generations. Known professionally as Seun Compere, she has steadily built a career at the intersection of entertainment and storytelling, using the microphone not merely as a tool for event direction but as a platform for visibility, celebration, and emotional connection.
Born in Lagos, Nigeria, Adegoke’s interest in public speaking and performance took root early. Raised in a household defined by faith, music, and expressive storytelling, she began organizing skits and performances as a child. By the time she was in fifth grade — considered part of secondary school in the Nigerian system — she was leading school drama presentations and serving as president of the literary and debating society. Poetry recitals and improvised plays with cousins and neighbors served not just as childhood amusements, but as early forays into the kinds of stage presence and audience engagement that would later define her career.
Her initial professional steps were in Nigerian television, though she describes her tenure there as complicated by moral discomfort. Adegoke eventually left that world behind, citing a desire to align her work more closely with her values. A chance invitation to emcee a baby shower marked a turning point. Additional invitations followed — mostly from friends and community members — and she soon recognized a deeper calling. What began informally evolved into a full-fledged vocation, one she frames as both professional and spiritual.
Now a sought-after master of ceremonies, particularly in the wedding and special events space, Adegoke has hosted over 100 weddings and built a reputation for high-energy, culturally sensitive performances. Her work is marked by a deliberate effort to include and elevate others — something she regards as central to her mission. “Real power lies in making sure others feel seen and heard,” she has said. “That’s when the magic truly happens.”
In an industry still largely dominated by male voices, Adegoke’s rise has not been without obstacles. She has spoken candidly about the gender-based challenges she has faced, including skepticism from some female planners who have expressed a preference for male MCs. Yet she views her career not only as personal achievement but as a form of quiet resistance — proof that women can and do belong in highly visible leadership roles at celebratory events.
Beyond the microphone, Adegoke has recently expanded into writing and media production. Her debut children’s book, Shy Girl, Big Stage, was published in 2024 and draws from her own experience as a shy child who grew into a confident performer. The book has resonated with young readers and parents alike, with many reporting that it has helped children navigate their own moments of self-doubt or stage fright. Adegoke has expressed interest in adapting the story into animated formats and continues to develop projects that fuse education, inspiration, and entertainment.
Her latest media venture is Inside America, a documentary-style pilot project that spotlights immigrant entrepreneurs and unsung contributors to American society. Through these new efforts, she is increasingly moving into the realm of multimedia storytelling, seeking to center marginalized voices and celebrate the cultural richness of the immigrant experience.
Cultural sensitivity has become a hallmark of Adegoke’s work. She has hosted numerous multicultural weddings and large-scale events where balancing different traditions and expectations is paramount. She recalls one Nigerian-Jamaican wedding where the guest count doubled unexpectedly and the blending of cultures required not only logistical finesse but also cultural fluency. Adegoke invested time in researching Jamaican traditions and expectations in order to craft an experience that honored both families.
The concept of “cultural intelligence” — the ability to understand and adapt to diverse cultural contexts — is central to her philosophy. For Adegoke, this means more than avoiding faux pas; it’s about intentional celebration and meaningful engagement with guests from all walks of life.
In addition to her work on stage and screen, Adegoke devotes time to mentoring other women, particularly mothers and professionals juggling multiple responsibilities. She is known for offering support, both privately and publicly, to those entering the event space or pursuing creative ventures. Her support is not limited to words; she frequently promotes businesses and services owned by other women in her network.
Personal discipline and faith remain foundational to her work. She describes herself as an “introverted extrovert,” someone who thrives in front of a crowd but deeply values solitude. Her self-care routine includes daily prayer, scripture reading, stretching, and dance-based exercise like Zumba, which she credits with helping her stay physically and emotionally grounded.
Adegoke is also a vocal advocate for authenticity over perfection. One of her guiding mantras is: “Your voice is valid even if it shakes.” She encourages aspiring performers, particularly women and young people, to step forward even in the face of uncertainty. “The world doesn’t need perfect voices — it needs authentic ones,” she says.
Whether through live events, literature, or visual media, Seun Adegoke continues to evolve as a creative professional committed to joy, voice, and representation. She sees her role not just as an entertainer, but as a memory-maker — someone who, in her words, helps people “feel seen and celebrated in real time.”
She currently resides in Atlanta, Georgia, and shares her ongoing work through her website, allthingsseun.com, her YouTube channel, and her Instagram account, @seuncompere.
Yitzi: It’s a delight to meet you. Before we dive in deep, our readers would love to learn about your personal origin story. Can you share with us the story of your childhood, how you grew up, and the seeds for all that came afterwards?
Seun: Yes, I can. I was born in Lagos, Nigeria. I’m originally from Nigeria, and from the age of nine, I was drawn to the stage. I grew up in a vibrant, faith-filled home where storytelling, music, and laughter were part of our daily life. Our parents instilled in me the value of hard work and the power of using your voice.
In high school in Nigeria — elementary school, fifth grade, is considered high school — I would organize mini performances for my friends, including drama. I was also the president of the literary and debating society. I wrote poems and recited them at church or in school. I would rally my cousins and neighbors into little drama skits. At the time, I didn’t realize those playful moments were me sowing seeds into what would become my calling.
Yitzi: Amazing. So, can you tell us the next chapter of the story? Tell us how you first started in the entertainment industry.
Seun: Funny enough, I didn’t set out to become an MC. I had worked in television for a while, but I honestly didn’t like the direction things were going. I was working in television in Nigeria, and I really struggled with the compromises I felt I had to make. It felt like I had to go against my morals, and I just wasn’t comfortable with that.
As you can probably tell, I’m big on faith. Everything I do is faith-based, so I stepped away from that world. Then, kind of out of nowhere, a friend asked me to host a baby shower. Not long after that, two other friends asked me to host something at church. That’s when I started to feel this strong urge and a clear revelation that this might actually be my calling.
That event changed everything for me. I realized that the mic wasn’t just a tool, it was my ministry. I started saying yes to more events, and that’s how Seun Compere was born. Today, I’m not just a host — I’m a storyteller, a connector, and a memory maker.
Yitzi: Beautiful. Beautiful. So you probably have some amazing stories from the different parts of your career, different projects. Can you share with our readers one or two stories that most stand out in your mind from your professional life?
Seun: Absolutely. One that really stands out for me was when I hosted my 100th wedding. A lot of people don’t know this, but being a female in a male-dominated industry is hard. I’ve had to deal with so many gender stereotypes and a lot of discrimination.
Working in this industry, I’ve experienced just about everything that could go wrong. And surprisingly, instead of support from other women, it’s often been the opposite. Some female planners prefer to work with male MCs, and that kind of silent discrimination has been one of the biggest challenges I’ve faced.
So hitting that milestone — my 100th wedding — was about standing against all odds and thriving in an industry that didn’t even give me a chance simply because I’m a woman. Today, I’m booked at least a year in advance, and that’s a huge deal because it wasn’t always like that. It reminds me how far I’ve come.
I’ve also had clients go out of their way to show appreciation — people have compiled thank-you messages from different clients and sent them to me. Some even send extra gifts after events, even though I’ve already been paid. Moments like that remind me why I do what I do. All of these experiences have deeply shaped my journey.
Yitzi: It’s been said that sometimes our mistakes can be our greatest teachers. Do you have a story about a humorous, funny mistake that you made when you were first starting and the lesson that you learned from it?
Seun: I like to say that happens at every event, but one of my earliest events comes to mind. I introduced the couple’s first dance, and the DJ played the wrong song — like, a completely different song. It was a high-tempo Fuji track, which is a genre of music from my home country, Nigeria, instead of something romantic. The couple froze, and I froze too. Then I said, “Well, looks like we’re going to have to remix the first dance,” and everyone just burst out laughing. We salvaged the moment. I learned very quickly that recovery is everything and that a little humor goes a long way.
Yitzi: We love hearing stories where somebody who’s a bit further ahead opens up a door or creates an opportunity that changes somebody’s career trajectory. Do you have a story where you did that for somebody else or someone did that for you?
Seun: I’d definitely say my husband. He’s not just my partner in life, he’s my silent coach and sounding board. There were times I wanted to give up on my MC journey, and he reminded me that the mic belongs to everybody, but when you hold it, you make people feel seen. That quote stuck with me. He believes in me even when I doubt myself. That quiet strength has anchored me more times than I can count.
Yitzi: And do you have a story where you did that for somebody else?
Seun: Yes. I’m always supportive of other female MCs. If it’s a genuine passion — something you’re truly passionate about — I believe you should pursue it. I’m always cheering other women on, not just female MCs, but women in business in general. Especially the ones who are moms or have other life responsibilities and nine-to-five jobs. To still be able to put this business on your plate, in addition to everything else you have going on, you deserve support. I make it a point to support women I know who are in business. If someone is selling something or offering a service, I try to either buy from them or support them through referrals or in any other way I can.
Yitzi: What has been the most challenging project or role that you’ve taken on so far and why?
Seun: I host a lot of multicultural weddings and events, but one that stands out involved a guest list that grew to over 1,000 people when we initially planned for 500. That was definitely a challenge. I remember one Nigerian-Jamaican wedding I hosted last year. The cultures are both so rich, and the expectations were incredibly high. You have to be able to please both sides, which isn’t always easy. The timeline was tight too, but it ended up being one of the most magical moments of my career. I had to blend tradition, humor, and rhythm. I took time to learn about Jamaican culture so I could respect and celebrate both sides equally, making sure everyone felt seen and heard. That experience really taught me the importance of cultural intelligence and adaptability.
Yitzi: That’s a lovely term, which I never fully appreciated — cultural intelligence. Tell us more about what that means.
Seun: It’s about understanding each other’s cultures — the values, the beliefs, and what really matters to people. It means being mindful, like making sure you don’t offend the mother of the groom or the bride, and being able to adapt to both sides. It’s about honoring and respecting the traditions that are important to them.
Yitzi: Wonderful, wonderful. You have so much impressive work. Can you tell us about the exciting projects you’re working on now? What do you hope to be working on in the near future?
Seun: Thank you. I just released my children’s book last year — it’s been almost 11 months now. The book is called Shy Girl, Big Stage, and I’m looking at adapting it into other formats, like a cartoon or anime. It’s based on my own story — how a shy girl found courage and purpose on stage.
I’m also working on other things, like filming a TV show. I recently worked on a pilot called Inside America, where I spotlight immigrant entrepreneurs and unsung heroes doing extraordinary things. Moving forward, I definitely see myself leaning deeper into storytelling through books, film, and speaking — anything that can inspire the next generation of bold voices. Those are the kinds of projects that really excite me, and I’m looking forward to everything coming up.
Yitzi: Beautiful. What kind of conversations have you heard that your book has sparked among young readers? And what kind of conversations do you hope it sparks among them?
Seun: Thank you very much for that. A lot of parents who’ve bought the book for their kids have shared some amazing feedback. For example, a friend of mine told me just last week that when her daughter had a presentation at school, she remembered what happened to me in Shy Girl, Big Stage — how I found my voice and owned the stage. Her daughter put herself in that character and was able to confidently give her presentation.
That’s just one of many stories I’ve heard along those lines. I’ve had little girls say things like, “Wow, that shy girl is me.” Then they get to the end of the book and see how the shy girl overcomes her fears. Hearing those kinds of reactions just makes me so happy.
I didn’t write this book for profit. I wrote it to encourage every young girl out there to find her voice. And if all I can do is change just one person’s life, then I feel like I’ve already surpassed my goals.
Yitzi: Tell us a bit more about what an MC does and why an event needs to hire a professional MC like you.
Seun: All right. An event needs to hire an MC because, like I said earlier, I’m not just a host. I’m not just an MC. I’m a storyteller, a connector, and a memory maker. I create experiences that people will remember for years to come.
In fact, when I hosted my very first wedding — this was about six or seven years ago — the bride still tells me, every time she runs into me, “Everybody says they had the most fun at my wedding.” That kind of lasting impression is exactly why I do what I do.
I’ve always loved celebrating people, for as long as I can remember. I’m genuinely happy for others, and being able to celebrate them in a meaningful way brings me real joy.
Everyone should hire me as their MC because I bring more than just announcements and transitions — I bring connection, energy, and storytelling that create memories to last a lifetime.
Yitzi: So this is the centerpiece of our interview. You’ve been blessed with a lot of success. Can you share five things that you need to be a highly successful MC?
Seun: Five things I believe you need to be a highly successful MC.
- One, your gift will make room for you, but your character will keep you in the room. In the early days, I focused on being perfect, but I later learned that humility, reliability, and kindness open more doors than talent alone. Your skills may get you noticed, but it’s your character that sustains your career.
- Two, not every opportunity is for you. You’re not going to be everyone’s cup of tea, and that’s okay. I used to say yes to every event that came my way, but I often felt uneasy. That taught me to trust my discernment and protect my brand. Now, I say no to at least half the events I’m offered. I’ve learned that not everything is meant for me, and that’s part of staying true to who I am.
- Three, I believe the mic belongs to everyone. That’s always been my style of hosting — giving others space to shine. It’s not enough to just dominate the room and do all the talking. Real power lies in making sure others feel seen and heard. That’s when the magic truly happens, and I always make it a point to share the spotlight.
- Four, always prepare like it’s your first gig. Early on, there were moments when I didn’t fully study the couple’s love story or understand the full context of an event. Never again. Now, I prep like I’m hosting the Oscars. Every event takes days of preparation — sometimes sleepless nights. When clients tell me their theme, I dive deep, do the research, and figure out how to make their event truly special.
- And five, your why will keep you going even when the lights go out. When bookings slowed down during COVID, I had to reconnect with my purpose. I reminded myself that I wasn’t just a host — I was a vessel for joy. That mindset gave me fresh purpose and helped me stay grounded. In fact, I started working on my children’s book, Shy Girl, Big Stage, during the pandemic. That quiet season helped me rediscover what truly drives me.
Yitzi: Can you share with our readers the self-care routines that you do to help your body, mind, and heart to thrive?
Seun: Thank you. For my body, I stretch daily and I love to dance Zumba. You’ll find me doing Zumba five days a week. I feel like music resets my body and spirit, and even just five minutes of movement between calls helps me stay energized.
For my mind, I’m big on spending time alone. I’m a Virgo, so I think we’re natural loners. I really love solitude, and that sometimes confuses people because I come across as an extrovert. But I’m actually an introverted extrovert. Time alone helps clear my mind and set my intentions.
For my heart, I read my scriptures and I pray daily. I also do this with my kids, and their innocent interpretations often heal and ground me. It’s our sacred time and it nourishes our souls. So those are the three key things I do to care for my body, mind, and heart.
Yitzi: So this is our final aspirational question. Because of your amazing work, you’re a person of enormous influence. If you could spread an idea or inspire a movement that would bring the most amount of good to the most amount of people, what would that be?
Seun: I’d say this: your voice is valid even if it shakes.
Too many people — especially women, immigrants, and younger individuals — have been conditioned to believe their ideas aren’t ready or their stories don’t matter. They think they have to wait their turn or break through some glass ceiling. But whether it’s through a mic, a book, a classroom, or a boardroom, I want to spread the belief that you don’t need permission to take up space.
Start before you’re ready. Speak before you feel confident. Share even when you’re scared. Do it afraid.
The world doesn’t need perfect voices — it needs authentic ones. So if I could inspire a movement that would change people’s lives, it would be about amplifying courage, one shaky voice at a time.
Yitzi: It’s beautiful, wonderful. How can our readers continue to follow your work? How can they engage your services? How can they hire you? How can they purchase your book? How can they support you in any possible way?
Seun: Thank you very much for that question. I appreciate it. I’m on Instagram as @seuncompere.
My YouTube channel is called Seun Adegoke, which is my first and last name. And my website is allthingseun.com. So those are the best ways to find me and stay connected.
Yitzi: Wonderful. Well, Seun, it’s been a delight meeting you. We wish you continued success, good health, and blessings. Thank you. Hopefully we do this again next year.
Seun: Absolutely. Thank you so much. I’m looking forward to it. Thank you.
Seun Adegoke on Finding Her Voice, Hosting 100+ Weddings, and Why the Mic Is Her Ministry was originally published in Authority Magazine on Medium, where people are continuing the conversation by highlighting and responding to this story.